Beyond Hope and Fear

This artwork called “Beyond Hope & Fear” was especially created to exhibit in NYC. This was toย celebrate International Tibetan Calligraphy Day, which falls on 30th April each year.

Created as a garland with 8th century Tibetan Drutsa script, composed of the words Beyond Hope & Fear – เฝขเฝบเผ‹เฝ‘เฝผเฝ‚เฝฆเผ‹เฝ–เพฒเฝฃเผ‹เฝ–เผ are scribed five times to create a repeated pattern, appearing like a corolla and stamen surrounding a central ovary of a flower.

The word เฝฆเพ’เฝผเฝ˜เผ‹ is incised at the centre, sgom means meditation practice or cultivation, practiced with no anticipation เฝขเฝบเผ‹เฝ–เผ‹เฝ˜เฝบเฝ‘เผ‹ and no apprehension เฝ‘เฝผเฝ‚เฝฆเผ‹เฝ”เผ‹เฝ˜เฝบเฝ‘เผ summarised in this short phrase เฝขเฝบเผ‹เฝ‘เฝผเฝ‚เฝฆเผ‹เฝ–เพฒเฝฃเผ‹เฝ–เผ – beyond expectation and anxiety or simply beyond hope and fear.

This reasoning of ‘no expectation and no doubts’ can not only be applied during meditation, but also as a wholesome philosophy toward everydayness. Though in celebration of Tibetan Calligraphy Day, the delivery from anticipation and apprehension is essential in the creative spirit of calligraphy itself.